Dangling the bait

I wrote yesterday about outlining your work, providing a basic skeleton for the masterpiece-in-the-making. Once you’ve gotten that first chapter written, then a second, and a third, and you feel you are on a roll, it’s going to be a strong temptation to just keep going and write the whole thing while it is in … More Dangling the bait

The Outline

Last week I made the comment that: “Writing is easy. You just have to know where to start, where to stop, and what to put in between.” In essence, what I was talking about there was the outline. Now I can already hear many of you groaning, thinking back to your junior high days when … More The Outline

Seeing the story

Yesterday I talked about how important it was for the writer to visualize what it is he or she is describing. The whole purpose of writing–from my perspective, and from a communication theory perspective–is to take an idea in Person A’s mind and recreate it as faithfully as possible in Person B’s mind. Without getting … More Seeing the story

Waiting for the Muse

In my thousand years or so of writing, I have had probably two or three moments when inspiration set upon me like a caveman with a club. I specifically remember one Sunday morning back when we were living in Illinois. I woke up early, a particularly vivid dream stuck in my head. I was motivated–nay, … More Waiting for the Muse

Whatever it takes

Early on in my writing career, I read or heard somewhere that a writer couldn’t consider himself a “serious” writer until after he or she had written their first million words. Orson Scott Card further qualifies this by saying the first million “serious, polished words.” I was thinking about that statement last night, and considered … More Whatever it takes